UFC champion Jon “Bones” Jones is a pastor’s son with a gift for violence. Can MMA’s fiercest new fighter be the good guy in a bad man’s sport?
UFC champion Jon “Bones” Jones is a pastor’s son with a gift for violence. Can MMA’s fiercest new fighter be the good guy in a bad man’s sport?
by Jesse Hyde
It’s a Saturday night in Denver, and in the Octagon, Jon “Bones” Jones is down on his knees. He has just successfully defended his UFC light heavyweight title, but he’s not celebrating. Instead, he crawls to the center of the canvas, sweat dripping down his nose, and sits there, silently staring out at the crowd. Considering the violence he has just unleashed — nearly asphyxiating Quinton “Rampage” Jackson, a mixed-martial-arts legend and former champion, who is lying prone on the canvas, covered in blood — it’s an odd, almost pious pose.
Sixteen thousand screaming fight fans have crammed into this dimly lit arena, but Jones, kneeling in the white-hot glow of the lights, can’t make out a single face nor hear a thing. He seems completely at ease, as if what he has accomplished is no surprise to him — which it isn’t.
“I visualized this,” Jones says later. “When I was, like, 20 years old, I had this voice-mail message that said, ‘Hi, this is Jon Bones Jones, the light heavyweight champ.’ I was speaking it into existence and carrying myself like I was the champion way before I was even in the UFC. It’s crazy that it all played out.”
This was Jones’ first title defense, and there will likely be more. In his first year of mixed-martial-arts competition, he won eight fights in 10 months, dominating regional competition and crushing every fighter put before him, regardless of style. He outpointed a Golden Gloves boxer, pummeled black belts in Brazilian jujitsu, and tossed around Greco-Roman wrestlers. He debuted with the UFC in 2008, and three years later, at age 23, he became its youngest champion. In 2011 he didn’t just beat three former champions — Jackson, Mauricio Rua, and Lyoto Machida — he took them apart, prompting UFC president Dana White (MMA’s Vince McMahon) to predict that Jones “could become the Michael Jordan of the sport,” White says. “If he can keep the hangers-on from fucking with his head, the sky’s the limit.”
Jones’ victory represents the beginning of a new era. Rampage — who entered the arena for the Jones fight with a thick metal chain around his neck, howling like a dog — once defined the UFC’s testosterone-fueled style, helping transform the UFC from a debt-ridden, bare-knuckled, almost-anything-goes fight league into a billion-dollar sport. Along the way, guys like Rampage and Chuck Liddell (best known for his Mohawk and a taste for porn stars) molded the appetites of the UFC fan base, creating what is derisively known within the tight-knit world of MMA as the “tits and tats” crowd.
That’s the crowd here tonight — sucking down 32-ounce Buds and screaming for blood — and they’re not sure what to make of Jones. Other fighters climb the cage when they win, or thump their chests and run around the Octagon. Not Jones. Unlike his predecessors, he also doesn’t date porn stars or act like a pro wrestler, refusing, for example, to clownishly stare down his opponents at weigh-ins.
“He’s not the stereotype, which some of the hardcore fans don’t like, but he represents where the sport is going,” says Jim Genia, author of Raw Combat: The Underground World of Mixed Martial Arts. “This guy is a real athlete. He could’ve been a professional basketball or baseball player. He just chose mixed martial arts instead.”
All of which may help explain why there are as many boos as cheers when Jones rises to his feet and accepts the gaudy gold-and-black UFC belt from White. He exits the cage moments later, smiling. A heavyset guy in a tight Ed Hardy T-shirt sitting five rows back suddenly stands up, beer sloshing from his plastic cup.
“Hey, Jon Jones,” he yells. “Fuck you!”
—
Greg Jackson’s MMA studio sits in one of the worst parts of Albuquerque, New Mexico. It’s among the most famous MMA gyms in the world, but you’d never know it from looking at the place. The windows are reinforced with iron bars, and the sign above the door, a fading hand-painted depiction of a boa constrictor, looks like the work of a middle-school student.
It’s a little after nine when Jones arrives in a black Bentley, the windows vibrating to Jay-Z and Kanye West’s “Niggas in Paris.” Jones grew up poor in inner-city Rochester, New York. Now he’s driving a brand-new $170,000 car.
Jones unfolds himself from the soft leather seat with a big grin and pushes his Gucci sunglasses to the top of his head. He’s wearing essentially what he’s worn since he dropped out of college five years ago: white tee, camo shorts, black leather Converses with the laces untied. He has a freakishly sculpted physique: 6-foot-4 with broad shoulders that taper down to a carved midsection and a narrow waist. The only thing about him that doesn’t look strong is his legs, which seem to have little, if any, muscle. Hence the name Bones. But even this physical quirk is a fighting advantage: Those legs keep opponents at bay with punishing kicks he can deliver from odd, unpredictable angles. Few of the guys he fights get close enough to touch his face.
He pushes his way past the doors and steps into the gym, a dingy spot reminiscent of the one Rocky retreated to after Clubber Lang kicked his ass. There’s a rickety metal fan rattling in the distance and the vague smell of disinfectant.
“This gym is full of champions in different disciplines,” Jones says, as he stretches out under two climbing ropes, “so every time I’m fighting someone, they are better at boxing or kickboxing. I’m just the best at putting them all together.”
This morning the 15 or so fighters spread out on the wrestling mats are practicing muay Thai, a technique that’s similar to kickboxing but includes grappling holds. Fighters fly in from as far away as Russia and Japan to train here; some live upstairs in a bunkhouse. In a few minutes, pairs will split up to spar: classically trained boxers versus former collegiate wrestling stars, judo black belts against experts in Brazilian jujitsu. This is Jones’ favorite part of training because it allows him to practice adjusting to the styles of different fighters.
Jones slips in his custom-made mouthpiece (it reads bones across the teeth) and steps into the cage with a UFC up-and-comer nicknamed “Cowboy,” a local kid who looks like he could moonlight as one of the meth dealers on Breaking Bad (which is set in Albuquerque). Jones is nearly a full head taller than Cowboy and a much sleeker athlete, dodging everything Cowboy throws with a fluid, almost effortless motion, and answering with precise jabs and kicks to the shins and thighs that would leave deep contusions if the two were going full speed.
Their trainer, Greg Jackson, says Jones is one of the most gifted athletes he’s ever worked with. “With a lot of guys, I’ll say, ‘Try this,’ and they’ll say OK, but before long they’re back to doing what they’ve always done,” Jackson says. “With Jon, he’ll try anything. He’s trained as a wrestler, but he’s learning muay Thai and Brazilian jujitsu and boxing. A lot of times, he’s coming to me with new ideas.”
Jones’ rapid rise to the top of the light heavyweight division comes as more athletes are participating in MMA than ever before. There are two large minor-league organizations in the U.S., Bellator and Strikeforce, and dozens of smaller promotion companies hosting fights nearly every weekend in rodeo arenas, high school gyms, and at casinos on Indian reservations.
“Think of mixed martial arts as an iceberg, and the UFC is the only thing sticking up out of the water,” says Genia. “Guys fly in for the UFC from Japan and Brazil. Those are viable leagues, but the UFC is where everyone wants to be.”
The UFC began in 1993 as a fight between a 415-pound sumo wrestler and a Dutch kickboxer. Today it is televised in 150 countries, packs stadiums from San Jose to Tokyo, and last year signed a $700 million deal with Fox to air fights in prime time. But as the sport evolves, it’s leaving some of its early stars behind. Three of the UFC’s biggest draws — Liddell, Randy Couture, and Brock Lesnar — all retired within the past year, which means the pressure is on Jones, the newest star in the UFC firmament, to fill the void. Before his bout with Rampage, the UFC staged something of a coming-out party for Jones, with appearances on The Tonight Show and Jimmy Kimmel.
Just how far MMA can inject itself into the mainstream is unclear, because no matter how hard the organization tries to shift the focus to marketable athletes like Jones, there’s no way to take the brutality out of the sport. Arms will be broken, blood spilled, 265-pound men will be choked until unconscious, and some people will turn away in disgust. In Jones’ most recent title defense, in December, he rocked his opponent, the Brazilian black belt Lyoto Machida, with a savage elbow to the forehead, then stood him up against the cage with what’s called a guillotine choke, a jujitsu move that is every bit as sadistic as it sounds. When Machida wouldn’t “tap out,” or concede the match by hitting the canvas, Jones clenched his teeth and squeezed until Machida’s arm went limp and his eyes rolled back in his head. When the ref finally stopped the fight, Jones simply dropped Machida on the mat and walked away. Good luck marketing that to Nike.
But they will try. Jones’ sparring session ends, and Cowboy steps out of the cage, frustrated that no matter how hard he tried, he could never get close enough to really hit Jones.
“He hit you with that cocaine punch,” a fighter named Carlos Condit says, referring to a strike so hard it “leaves your teeth numb.”
Jones laughs at this; Cowboy can’t help but smile. But Jones’ publicist, who these days rarely strays far from his side, shakes her head.
“Don’t put that in your story,” she tells me.
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Mon, Mar 5, 2012